This seventh volume in Afterall's Exhibitions Histories series focuses on the radical project 'an Exhibit' (at the ICA, London in 1957), which emerged from a de

Reconstructing Exhibitions in Art Institutions spans exhibition histories as anti-apartheid activism within South African community arts; collectivities and tra

After World War II, museum and gallery exhibitions, industrial and trade fairs, biennials, triennials, festivals and world's fairs increasingly came to be used

This book advances an understanding of cultural diplomacy that examines a single area of government and private sector partnership, and what became in the mid-t