Poetry is often viewed as culturally homogeneous—“stubbornly national,” in T. S. Eliot’s phrase, or “the most provincial of the arts,” according to

Ideas, culture, and capital flow across national borders with unprecedented speed, but we tend not to think of poems as taking part in globalization. Jahan Rama

A simultaneously ecocritical and comparative study, this book talks about the poetry of Walt Whitman, Pablo Neruda and Derek Walcott, three of America's most am

This book moves beyond conventional conceptions of space and place to explore how the spatial imagination has informed our postmodern mapping of literature, cul

This volume clarifies the meanings and applications of the concept of the transnational and identifies areas in which the concept can be particularly useful. Th