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Having enchanted readers on two continents with Balzac and the Little Chinese Seamstress, Dai Sijie now produces a rapturous and uproarious collision of East an
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A young French woman in Peking in the late 1970s interprets between Chinese professors and Bertolucci for his film The Last Emperor. Afterwards, she follows a d
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Pages: 289
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Transnational cinemas are eclipsing national cinemas in the contemporary world, and Sino-French films exemplify this phenomenon through the cinematic coupling o