Clinton Heylin's biography No More Sad Refrains, draws on hours of interviews with Sandy's closest friends and musical collaborators, access to her diaries and

From the perennially young, precocious figure of 'little orphan Annie' to the physical and vocal ageing of the eighteenth-century castrato, interlinked cultural

Twice voted Top British Female Singer by readers of Melody Maker, name-checked in a Kate Bush song, photographed by David Bailey, she is the only guest vocalist

A Kirkus Reviews Best Nonfiction of 2011 title In the late 1960s, with popular culture hurtling forward on the sounds of rock music, some brave musicians looked