A contemporary envisioning of a nineteenth-century poem pairs artwork by G. Brian Karas with the Henry Wadsworth Longfellow classic. His brow is wet with honest

Reprint of the original, first published in 1842.

Describes the work of a blacksmith, including the development of techniques for working iron, the tools used, and the objects made on the forge. Also discusses

Of all of Longfellow's beloved poems (and there are many) none is so personal, so sunny, or so touching as this affectionate love letter to his three daughters,