Drucker skillfully traces the development of this critical position, suggesting a methodology closer to the actual practices of the early avant-garde artists ba

"English literature," Yeats once noted, "has all but completely shaped itself in the printing press." Finding this true particularly of modernist writing, Jerom

The book addresses the scientific debates on Rembrandt, Metsu, Vermeer, and Hoogstraten that are currently taking place in art history and cultural studies. The